D23 releases full schedule for Destination D: 75 Years of Disney Animated Features

[AVP]

Received from D23:

Destination D: 75 Years of Disney Animated Features
EVENT INFORMATION

August 11 and 12, 2012 – Grand Ballroom, Disneyland Hotel

COST
 $225 per person (Diamond Level, $1,000 per person, is sold out)

Destination D: 75 Years of Disney Animated Features is an unprecedented celebration of the art, storytelling, music, voices, imagination, and innovation of Disney’s benchmark films.

From Walt Disney’s groundbreaking Snow White and the Seven Dwarfs to the upcoming Wreck-It Ralph, guests will experience a two-day journey through the art of Disney feature animation – filled with fun, laughter and rarely or never-before-seen artwork, photos and film clips of beloved Disney characters and stories – all the while surrounded by some of the world’s leading animation legends, artists and authorities.

While more announcements are forthcoming, the detail about Destination D below is current as of June 4, 2012.

This promises to be an extraordinary celebration … with additional participants and presentations to be announced in the weeks ahead:

DAY ONE – SATURDAY, AUGUST 11

Walt Disney and the First Golden Age of Disney Animation
Walt and his original team of animators and artists invented an entirely new genre of filmmaking storytelling. Together they created unparalleled bodies of work that continue to delight audiences around the world. Join our panelists who participated first-hand (or witnessed) the remarkable creation of Walt Disney’s feature animated films:

Joe Hale—43-year Disney veteran who contributed his artistic talents to such films as Peter Pan, Lady and the Tramp, Sleeping Beauty, One Hundred and One Dalmatians, and Mary Poppins.
Burny Mattinson—Disney Legend and 50-year veteran of Disney animation who contributed his artistic talents to such “Golden Age” favorites as Sleeping Beauty, One Hundred and One Dalmatians, and The Jungle Book.
Ted Thomas—Son of legendary Disney animator Frank Thomas and director/writer of the acclaimed documentaries Frank and Ollie and Walt & El Grupo.

Roy E. Disney and the Second Golden Age of Disney Animation
Roundtable discussion of Roy E. Disney’s influence on the “Second Golden Age of Disney Animation”—from The Black Cauldron and The Great Mouse Detective through the modern-day classics of the 1990s. Join our panelists who participated first-hand (or witnessed) Roy E. Disney’s remarkable stewardship of Disney’s contemporary animation renaissance:

Dave Bossert—Author of an upcoming book on Roy E. Disney, and creative director and head of special projects at Walt Disney Animation Studios; artistic coordinator and visual effects supervisor on Fantasia/2000 and associate producer of the short “Destino” among many other accomplishments.
Roy P. Disney—Son of Disney Legend Roy E. Disney, former Disney Imagineer, and first-hand witness to Disney animation’s second “Golden Age.”
Don Hahn—Noted author, Disney animation historian, and producer of some of Disney’s most successful animated films of the second golden age, including Beauty and the Beast, The Lion King, The Hunchback of Notre Dame, and The Emperor’s New Groove.

The Greatest Disney Animation You Never Saw
Enjoy a “Behind-The-Magic” peek at the art of Disney feature animation. Academy Award-nominated film producer and author Don Hahn and Creative Director for Walt Disney Animation Studios David Bossert present rarely seen (or never before seen at all) Disney artwork and animation from more than 75 years of Disney animated features.

Animating The Disney Parks
Disney Parks owe a great deal of their creative development and design to the roots of Disney animation. Join current and former Disney Imagineers as they discuss how legendary Disney Imagineers, including Marc Davis, Mary Blair, Claude Coates, Herb Ryman, John Hench, and many others, successfully transferred their skills and talents from the world of Disney feature animation to “animating the Disney Parks.” Join our panelists who personally worked with many of these Disney animation and Imagineering greats:

Tony Baxter—Senior vice president, Creative Development at Walt Disney Imagineering, whose project credits include Disneyland Paris, Big Thunder Mountain Railroad, Indiana Jones™ Adventure, and Splash Mountain.
Eddie Sotto—Noted experiential designer, mixed-media producer, conceptualist, and former Disney Imagineer, whose projects included the design of Main Street, U.S.A. at Disneyland Paris, early work on Indiana Jones™ Adventure at Disneyland, plus Mission: SPACE at Epcot and Pooh’s Hunny Hunt at Tokyo Disneyland.

An Evening Concert: Dick Van Dyke & The Vantastix
The fun continues into the night with an unforgettable evening of harmony provided by Dick Van Dyke & The Vantastix. The popular vocal quartet is comprised of legendary television, Broadway and film star Dick Van Dyke and three renowned west coast musicians—Mike Mendyke, Bryan Chadima, and Eric Bradley. Songs from Van Dyke’s varied entertainment career, in addition to many well-known Disney hits and timeless pop standards, will be performed by Van Dyke and The Vantastix in a show rich in humor, pure entertainment, and sing-along favorites. It’s a once-in-a-lifetime experience you won’t want to miss!

Exclusive Screening: Walt & El Grupo—The Director’s Cut
Presented exclusively for D23 Members and their guests is the definitive director’s cut (not available on DVD) of the acclaimed 2009 film documentary Walt and El Grupo. Hosted by Director Ted Thomas and Producer Kuniko Okubo, the film chronicles the amazing 10-week trip that Walt Disney and his hand-picked group of artists and filmmaking talent (later known as “El Grupo”) took to South America in 1941 at the behest of the U.S. Government.

DAY TWO – SUNDAY, AUGUST 12

Wacky and Wild Disney Animation
Go on a wacky and irreverent ride through some of the most psychedelic and visually stunning animation ever put on film in this fun and humorous retrospective of Disney feature animation. Along the way you’ll learn of the contributions of such “characters” as Disney Legend Ward Kimball, renowned artist Salvador Dali, and many others. Your hosts through this animation “Wonderland”:

Jerry Beck—Well-known animation historian, with 10 books and numerous articles to his credit. Jerry is an animation producer, and industry consultant to Warner Bros., and has been an executive with Nickelodeon and Disney and is also a popular blogger on the subject of animation.
Eric Goldberg—A veteran director, designer and animator, his Disney credits includes being the supervising animator of Genie in Aladdin, co-director of Pocahontas, animator of Phil in Hercules, followed by Fantasia/2000, which he directed, wrote, and animated two critically acclaimed sequences: “Carnival of the Animals” and “Rhapsody in Blue.” His animation work can also be seen in the Tokyo Disney Seas attraction Magic Lamp Theatre and the recently unveiled Gran Fiesta Tour Starring The Three Caballeros at the Mexico Pavilion at Epcot.

Tinker Bell: The Evolution of a Disney Character
Have you ever wondered how a character becomes a “Disney” character? As we take you on a
fascinating trip through the decades in a presentation filled with never-before-seen art,
photos, and film clips, you’ll see how Tinker Bell developed into one of Disney’s most iconic characters. Your tour guides include:

Mindy Johnson—Author of the upcoming book Tinker Bell: An Evolution—(new for Fall 2013 from Disney Editions).
Margaret Kerry—Live-action reference model for Tinker Bell in Walt Disney’s 1953 animated film classic Peter Pan.

Disney Feature Animation Stars—Drawing With Personality
The Walt Disney Studios is often credited with perfecting “personality animation,” creating
from paper and pencil characters that seemingly live and breathe. In this
entertaining and educational presentation you’ll discover the secrets behind the creation of
some of Disney’s most beloved animated stars, plus you’ll get the chance to design your own
Disney animated character under the guidance of a master Disney animator.

Your instructor:

Andreas Deja—30-year Disney animation veteran, whose impressive body of work includes serving as supervising animator on characters in several classic Disney animated features, including Gurgi in The Black Cauldron, Gaston in Beauty and the Beast, Jafar in Aladdin, Scar in The Lion King, Mickey Mouse in Fantasia/2000, Lilo in Lilo & Stitch, Mama Odie in The Princess and the Frog, and Tigger in Winnie the Pooh. He’s also a noted Disney animation historian and authority on the work of legendary Disney animator Milt Kahl.

Hearing Voices: A Salute to Disney Character Voice Artists
Meet the artists behind the voices. We put a spotlight on the many men and women who have
supplied some of the most familiar voices ever to grace movies screens. This unique
reunion of Disney character voice talent highlights some of the great voices of the past
as well. Our roster of Disney character voice talent stars include (to date—more to be
confirmed over the next few weeks!):

Dick Jones—Voice of Pinocchio (Pinocchio, 1940)
Kathryn Beaumont—Voice of Alice (Alice in Wonderland, 1951) and Wendy Darling (Peter Pan, 1953)
Lisa Davis—Voice of Anita (One Hundred and One Dalmatians, 1961)
David Frankham—Voice of Sergeant Tibbs (One Hundred and One Dalmatians, 1961)
Bruce Reitherman—Voice of Mowgli (The Jungle Book, 1967) and Christopher Robin (Winnie the Pooh and the Honey Tree, 1966)
Chris Sanders—Stitch (Lilo & Stitch, 2002)

Snow White and the Seven Dwarfs: Still “The Fairest of Them All”
Walt Disney’s animation masterpiece Snow White and the Seven Dwarfs introduced an entirely
new filmmaking genre—the Disney animated feature—and put in motion the creation of an
unparalleled library of films that remain unrivaled in their artistic and storytelling achievements. Join us as we salute this groundbreaking film with a rare west coast appearance by 93-years-young Marge Champion, the live-action reference model for the character of Snow White. Also joining the presentation will be Gabriella Calicchio, CEO of The Walt Disney Family Museum, to provide insights on the museum’s upcoming Snow White exhibition and an exciting new D23 opportunity.

An Evening With Disney Legend and Oscar-Winner Alan Menken
Please “Be Our Guest” as we conclude our celebration with a rare musical concert by Disney Legend Alan Menken. With eight Academy Awards, Alan Menken has received more Oscars than any living person. He has written songs and scores for some of the world’s most beloved films: Tangled (Oscar nominee), Enchanted (three Oscar nominations) The Little Mermaid (two Oscar wins), Beauty and the Beast (two Oscar wins), Aladdin (two Oscar wins), Pocahontas (two Oscar wins), Hercules (Oscar nominee), The Hunchback of Notre Dame (Oscar nominee), Little Shop of Horrors (Oscar nominee), Home on the Range, and Newsies.

Menken is currently the first songwriter in 13 years to have three new shows running concurrently on Broadway (Sister Act, Newsies, and Leap of Faith). His Broadway successes include The Little Mermaid (Tony Award nominee), Beauty and the Beast, Little Shop of Horrors, and Sister Act (Tony Award nominee). His other stage productions include King David, Newsies, God Bless You Mr. Rosewater, The Hunchback of Notre Dame, and Aladdin.

Exclusive Screening: Waking Sleeping Beauty – The Director’s Cut
Presented exclusively for D23 Members and their guests is the definitive director’s cut (not available on DVD) of the acclaimed 2010 film documentary Waking Sleeping Beauty. With screening hosted by director Don Hahn, the film chronicles how by the mid-1980s the fabled animation studios of Walt Disney had fallen on hard times. Waking Sleeping Beauty is the true story of how Disney regained its magic with a staggering output of hits—The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, and more—over a 10-year period.

D23′s Destination D series has become one of the fan club’s most popular member events. Past “destinations” have celebrated 55 years of Disneyland and 40 years of Walt Disney World Resort. Now it’s time to celebrate the diamond anniversary of one of the most universally beloved and unique film genres—the world of Disney animated features.

[stan4d_steph]

The two screenings sound cool. And Animating the Parks would be interesting I think. Who's planning on going?

[tea4two]

We'll be there!

[olegc]

after May and June - tapped out

[tea4two]

A question for those who attended last time: is there time to go eat (as in really sit down somewhere and eat without swallowing everything whole like at Expo) for lunch and dinner or should we bring power bars to eat in line while we wait for the next session? We have reservations at DtD restaurants, but I'm wondering if I should cancel them. Any help would be appreciated. Thanks!

[KarenW2]

There is a PDF file link on the D23 website, that gives the schedules for Friday thru Sunday, but the short answer is, the breaks are the following:

Saturday - 12:30 til 2:15 for Lunch and then 5:15 til 8 for dinner

Sunday - 12:15 til 2:15 for Lunch and then 5 til 7:55 for dinner

[tea4two]

Yes, I'd seen the break times on another board, but have heard conflicting information about waiting in the lines. Some people have said that there is no need to wait, just go eat and enjoy. Everyone with a ticket is guaranteed a seat, so relax. Other people have said that it is better to grab something to eat in line and wait, because the side seats with the screens are not really great viewing. Thus the possible need to pack power bars. I realize that everyone has their own preference, but I was hoping for some feedback on whether the opinions I've heard are accurate and reliable.

[olegc]

Yes, I'd seen the break times on another board, but have heard conflicting information about waiting in the lines. Some people have said that there is no need to wait, just go eat and enjoy. Everyone with a ticket is guaranteed a seat, so relax. Other people have said that it is better to grab something to eat in line and wait, because the side seats with the screens are not really great viewing. Thus the possible need to pack power bars. I realize that everyone has their own preference, but I was hoping for some feedback on whether the opinions I've heard are accurate and reliable.

I went to the last Destination D event for Disneyland in 2010. since the sessions were all in (meaning there were no tracks) folks just got in line early in the am -and then at lunch they cleared the room. Folks just got right back in line outside to make sure and get a front or middle section seat. The ballrooms at Dland Hotel are wide but not deep - so they had to rely on large screens on the sides to let you see details. So of course if you wanted great seats you could not go eat.

Yes - you will get a seat. However, if you want the best seats you may have to camp and get in line. Remember - just like in the parks with characters - they might not have signs or formal line set up initially but will manage a line once they establish one with guests (this, of course, is my observation and not based on any document I read).

[tea4two]

Thanks, Oleg! That was helpful.

[btowndude]

At the last Disneyland Destination D, I ate sitdown meals at the House of Blues, ESPN, and Brennan's Jazz Kitchen. For me, sitting in the center section was not worth standing in line during the entire breaks. I'm a short person who usually gets stuck sitting behind the six foot giants, so I end viewing via the big screens any way. Also, I usually sit on the left side of the movie theater avoiding the center section. I will admit for the upcoming Destination D that I splurged and bought the diamond level pass.

[tea4two]

So, who went and what did you think?

We really enjoyed all the presentations, even Mr. Tea (who is a mildly enthusiastic D23 member) -- Alan Menken alone was worth the ticket price! We both were tearing up throughout the concert. For the most part, the set up was fine. The lines were organized, although the place saving was getting a bit out of control toward the end (one person saving spots for over 10 people? and then pushing others in front of them out of the way?). We really liked the sight lines -- no columns in the way, easy to great viewing from just about all seats. And meals worked out better than we had expected. Met some really nice people and saw some familiar faces, too. Overall, a great weekend!